Shakespeare places about this brave soldier, with a heart that longs unworthily, an environment which tests too well his weakness and which sooner or later will work his complete ruin. Given such a character, so inclined, and such surroundings as the visit of Dun- can to Inverness, the sly Banquo, the strong-willed, ambitious Lady Macbeth, the belief in the witches and the prophecies made true, there is no other conclusion for the play. And now we have an idea of what a hero, not of the popular sort, but of tragedy, means : "a person of great repute and prosperity who falls into adversity not through wickedness, but through some error." A great person falls through error. Macbeth is thought of as a man made up of good and evil, placed in an en- vironment which partly made by him, in turn makes him in part. He is great, but his temptation is greater ; he is strong, but less so than his ambition for the throne. The play simply reveals the relentless progress of error in a character powerless tb battle with it, what- ever the error may be ; and like all serious plays of Shakespeare reveals the gradual but steady widening of the tragic flaw in the hero's character, which finally works his ruin. There is not a line of humor in the play unless one construes as such the grim sort found in the Porter Scene, which only increases the horror just perpetrated ; or the possibly intended pun of the Lady who would "gild the faces of the grooms."
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