Read Beyond God and Evil Online

by Geeky Nigeria
5 minutes read

190. There is something in the morality of Plato which does not really
belong to Plato, but which only appears in his philosophy, one might
say, in spite of him: namely, Socratism, for which he himself was
too noble. "No one desires to injure himself, hence all evil is done
unwittingly. The evil man inflicts injury on himself; he would not do
so, however, if he knew that evil is evil. The evil man, therefore, is
only evil through error; if one free him from error one will necessarily
make him--good."--This mode of reasoning savours of the POPULACE, who
perceive only the unpleasant consequences of evil-doing, and practically
judge that "it is STUPID to do wrong"; while they accept "good" as
identical with "useful and pleasant," without further thought. As
regards every system of utilitarianism, one may at once assume that it
has the same origin, and follow the scent: one will seldom err.--Plato
did all he could to interpret something refined and noble into the
tenets of his teacher, and above all to interpret himself into them--he,
the most daring of all interpreters, who lifted the entire Socrates out
of the street, as a popular theme and song, to exhibit him in endless
and impossible modifications--namely, in all his own disguises and
multiplicities. In jest, and in Homeric language as well, what is the
Platonic Socrates, if not--[Greek words inserted here.]

191. The old theological problem of "Faith" and "Knowledge," or more
plainly, of instinct and reason--the question whether, in respect to the
valuation of things, instinct deserves more authority than rationality,
which wants to appreciate and act according to motives, according to
a "Why," that is to say, in conformity to purpose and utility--it
is always the old moral problem that first appeared in the person of
Socrates, and had divided men's minds long before Christianity. Socrates
himself, following, of course, the taste of his talent--that of a
surpassing dialectician--took first the side of reason; and, in fact,
what did he do all his life but laugh at the awkward incapacity of the
noble Athenians, who were men of instinct, like all noble men, and could
never give satisfactory answers concerning the motives of their actions?
In the end, however, though silently and secretly, he laughed also
at himself: with his finer conscience and introspection, he found
in himself the same difficulty and incapacity. "But why"--he said
to himself--"should one on that account separate oneself from the
instincts! One must set them right, and the reason ALSO--one must follow
the instincts, but at the same time persuade the reason to support them
with good arguments." This was the real FALSENESS of that great and
mysterious ironist; he brought his conscience up to the point that he
was satisfied with a kind of self-outwitting: in fact, he perceived
the irrationality in the moral judgment.--Plato, more innocent in such
matters, and without the craftiness of the plebeian, wished to prove to
himself, at the expenditure of all his strength--the greatest strength
a philosopher had ever expended--that reason and instinct lead
spontaneously to one goal, to the good, to "God"; and since Plato, all
theologians and philosophers have followed the same path--which means
that in matters of morality, instinct (or as Christians call it,
"Faith," or as I call it, "the herd") has hitherto triumphed. Unless
one should make an exception in the case of Descartes, the father of
rationalism (and consequently the grandfather of the Revolution), who
recognized only the authority of reason: but reason is only a tool, and
Descartes was superficial.

192. Whoever has followed the history of a single science, finds in
its development a clue to the understanding of the oldest and commonest
processes of all "knowledge and cognizance": there, as here, the
premature hypotheses, the fictions, the good stupid will to "belief,"
and the lack of distrust and patience are first developed--our senses
learn late, and never learn completely, to be subtle, reliable, and
cautious organs of knowledge. Our eyes find it easier on a given
occasion to produce a picture already often produced, than to seize upon
the divergence and novelty of an impression: the latter requires more
force, more "morality." It is difficult and painful for the ear to
listen to anything new; we hear strange music badly. When we hear
another language spoken, we involuntarily attempt to form the sounds
into words with which we are more familiar and conversant--it was thus,
for example, that the Germans modified the spoken word ARCUBALISTA into
ARMBRUST (cross-bow). Our senses are also hostile and averse to the
new; and generally, even in the "simplest" processes of sensation, the
emotions DOMINATE--such as fear, love, hatred, and the passive emotion
of indolence.--As little as a reader nowadays reads all the single words
(not to speak of syllables) of a page--he rather takes about five out
of every twenty words at random, and "guesses" the probably appropriate
sense to them--just as little do we see a tree correctly and completely
in respect to its leaves, branches, colour, and shape; we find it so
much easier to fancy the chance of a tree. Even in the midst of the
most remarkable experiences, we still do just the same; we fabricate the
greater part of the experience, and can hardly be made to contemplate
any event, EXCEPT as "inventors" thereof. All this goes to prove
that from our fundamental nature and from remote ages we have
been--ACCUSTOMED TO LYING. Or, to express it more politely and
hypocritically, in short, more pleasantly--one is much more of an artist
than one is aware of.--In an animated conversation, I often see the face
of the person with whom I am speaking so clearly and sharply defined
before me, according to the thought he expresses, or which I believe to
be evoked in his mind, that the degree of distinctness far exceeds the
STRENGTH of my visual faculty--the delicacy of the play of the muscles
and of the expression of the eyes MUST therefore be imagined by me.
Probably the person put on quite a different expression, or none at all.


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